Veronica Hart

Famous Porn Star Veronica Hart Fan Club


Veronica Hart Porn Movies

Touch Me In The Morning – Full Movie 01:17:00 Touch Me In The Morning – Full Movie
Scent of Heather – (1980) 01:38:00 Scent of Heather – (1980)
Veronica Hart gets destroyed by big dick in back seat of moving limousine 02:00 Veronica Hart gets destroyed by big dick in back seat of moving limousine
IndecentExposure.1981 01:32:00 IndecentExposure.1981
Outlaw Ladies 1981 01:22:00 Outlaw Ladies 1981
Amanda by night  1 (1981) – Blowjobs & Cumshots Cut 29:00 Amanda by night 1 (1981) – Blowjobs & Cumshots Cut
Maid gets fuckedvdeep by big dick Chauffeur 06:00 Maid gets fuckedvdeep by big dick Chauffeur
Orgy in the city is filled with cunts /99dates 15:00 Orgy in the city is filled with cunts /99dates
Mature – Veronica Hart and Honey Wilder 09:00 Mature – Veronica Hart and Honey Wilder
Veronica Hart gets wrecked by Ron Jeremy’s monster dick 04:00 Veronica Hart gets wrecked by Ron Jeremy’s monster dick

Veronica Hart Porn Movies »



Also known as

Jane Hamilton / Kathryn Stanleigh / Randee Styles / Veronica Heart / Victoria Holt




Las Vegas, Nevada, United States






5'7" (or 170 cm)


136 lbs (or 62 kg)



Bra/cup size:




Years active:

1980 – 2013

About Veronica Hart

Veronica Hart Biography

Born: 10/27/1956
Aliases: Veronica Heart, Randee Styles, Jane Esther Hamilton, Jane Hamilton, V. Hart, Victoria Hart, Veronica Heart, Victoria Holt, Kathryn Stanleigh, Veronica

Born: October 27, 1956 (Jane Esther Hamilton)
Hometown: Las Vegas, Nevada
Height: 5 ft. 6in.
Weight: 123 lbs.
Hair: Brunette
Eyes: Blue
Breasts: 32C
Waist: 24″
Hips: 33″

Veronica, or Jane Esther Hamilton as she was raised in the growing Sin City of the SW. Always admired for her dedication to progression and improvement. She graduated in 1979 with a degree in theatre and arts from the University of Nevada at Las Vegas.

Spreading her wings she set out to grow abroad studying further in theatre in England gaining valuable connections and invaluable insight into modeling and acting on a world scale. Many still ponder the crossover into adult film other than the ever popular monetary appeal to the industry. But she quickly grew with adoring popularity and went on to hail many industry awards.

She began her early entertainment careers dancing, acting and modeling. I always loved dancing it was my true passion. With her first lesson at the age of 7 she was hooked. With promiscuity being a trend of the times she would learn from siblings and friends, knowing she had a talent for making men feel good and entertaining, thus feeling the adult industry was a good fit for her to pursue.

Notable achievements were winning 1981 AFAA Best Actress in “Amanda by Night”, 1982 a triple whammy awards of AFAA Best Actress in “Roommates” and Best Supporting Actress in “Foxtrot” and capping off a great year with being awarded CAFA Award for Best Actress in “Roommates”. Another group of awards she received were in the year 1996 AVN Award for Best non-sex Performance in “Nylon”, and a AVN Hall of Fame Induction, Legends of Erotica, and XRCO Hall of Fame awarding. Recent nominations never missing a year for her named being mentioned years 2001 ? 2008 as she is continued in directing excellence and always will be touted as a true Industry Great.

She is growingly becoming a fan favorite based on absolute involvement, beginning with before camera acting and now days supporting strongly via directing and production. Endurance and drive has let her overcome many obstacles in her short career thus far, as recent developments.

Veronica compelled to succeed set back to New York only to be disappointed with the straight film business, experiencing extremely bad relations with a casting director, she decided to leave that chapter in life. Eager to move on She tried her hand in a few production Music ventures that fell through a short time after undertaking them. She took a short break to regroup and gained employment as a temp secretary at Psychology Today. With a stroke of coincidence the person she rented a room from was a figure in X-rated productions. He reviewed her many fine credits, portfolio of modeling pictures, and was easily convinced of her natural belonging in the adult industry. I found a great deal of peer confidence in my abilities and a surprising amount of support, success seemed very likely.

One of my most challenging scenes (laughs Veronica) was with a predominantly gay actor Z. Colt. It was near exhausting just to keep him “into the scene”, we jokingly referred to him as everzoft cause it was hard to get him up and keep him up, for I wasn?t of his choice on the sexual appetites.

A true measure of help early on in my adult career was advisement from my good friend Seka, whom reminded me that performers only do what they want to do, and not to let Wiley producers influence them otherwise. Pre determine all your prices and contracts up front with no room for mistake about your getting paid for your time.

“I’ve done a lot of anal intercourse scenes. When I’m hot, I’ll take it any way I can get it. I just want it. I wouldn’t say I like it more or less… It’s just a different sensation. I think a lot of straight men would like it, but they may be afraid to do it because of the homosexual thing. “A magazine ran a shot of me from a movie where this guy was behind me. It wasn’t an anal. The magazine printed: “And Veronica yelled: ‘fuck me where I shit!'” That is not a turn on to me.

“As for work, I don’t have to kiss ass to a boss. I don’t have to do anything I don’t want to do. I get away with doing a lot less and getting paid a lot more than most ladies ever would. That’s why I can’t consider myself a feminist. I’m a people-ist. “There was an anti-porn thing, for example, in New York. What it really was was a bunch of dykes getting together hating men. That’s not my idea of a good time. “I make pornography because I can…and because mainstream isn’t beating down my door. Porn has its share of good and bad, too, but compared to legit people, they’re more real and down to earth.”Most of the people I became acquainted with who did legit films, the supposedly moral people of our world, I found to be the most degenerate. “Film is the illusion of truth. What might look good on film is not necessarily what feels good. Still, I believe that the hotter you are, the hotter it’s going to come across to the audience. A lot of girls in this business aren’t into sex, or they aren’t into making it with another girl. They play at it, and their coldness comes across on film. The more you can psych yourself up to be hot, the hotter it will appear on film.”

As for an aspiring new actress she offers this advice: “Porn is one of the worst things an aspiring actress can do. What angers me is that if I were up for a straight part, and I was just as good as someone else, that I’ve done porn would stand in the way. It’s the kind of hypocrisy that prevails in America. Everybody loves to make love, but nobody wants to admit it. Everybody loves a girl who loves to be screwed, but they still think of her as a slut. I’d see guys fucking all day on a set, and people would say, “Wow, what a man,” and “Isn’t he wonderful?” A chick will get fucked all day and they’ll say, “God, she’s really great, but what a slut!” So, you realize that you’ve got to be the best slut there is.”

Hart quit doing explicit sex scenes after four years in the biz, but she still makes cameo appearances in porn. She and Kelly Nichols appeared in 1995’s Latex.

Veronica’s mainstream career has been disappointing. She’s mustered only small roles in big movies and only big roles in small movies. Like numerous other former adult stars such as Linda Lovelace, and Richard Pacheco, Veronica is married with children. She produces under her real name – Jane Hamilton – at VCA and directs as Veronica Hart.

“Porn is not hooking. I was hired as an actress. Maybe on a straight film the director fucks the actress but it doesn’t happen in this business. Nobody has to come in here and do me to get a job. “That’s why I hate to get lumped in with the rest of pornographers. “I took great joy in this business because I was hired to fuck. I never had to fuck to get hired. “It’s sleazy to fuck to get somewhere. Believe me, I’ve tried it all over Hollywood. It doesn’t guarantee anything.

“Everybody who doesn’t fuck the actresses takes great pride in that. They feel set apart. They don’t feel as sleazy as the next guy. I had a two year fling with Harold Lime. That was my choice. I’ve never fucked anybody in this business to get a job.

“I take pride in my high standards. No actress comes into VCA and fucks anyone to get a job. I hate to get lumped in with the Rocco Siffredis and Max Hardcores. Women should be treated with respect – not slapped around, spat upon and dunked in toilets. “I maybe idealistic, but I want everyone to get off and be happy in my pictures. I don’t want it to be an act that’s imposed on the woman but is enjoyed by the woman and sometimes initiated by the woman.”

Veronica directs and produces under the name Jane Hamilton. VCA has released about 40 of her sexvids. Jim Holliday calls her the hardest working woman in porn. She produces the movies of MTV-style pornographer Michael Ninn.

Hart published a letter to the 3-98 AVN. “I’ve always been proud to be associated with the adult business and have stood up for it many times on talk shows, in interviews and have lobbied for the business in Sacramento. Being a member of the board for The Free Speech Coalition has been very meaningful and exciting. It has been important to stand up for our sexual freedoms and spread the word that sex can be fun, joyous, fulfilling and really nasty.

Another Bio:
Jane Esther Hamilton was born in Las Vegas on 27 October 1956 into a tightly knit middle class family. Her mother’s family was affluent and her father worked out in the Nevada test sight. As a teenager she attended Western High School. “I had heard about sex so much, and I knew all about it from an early age. I have a lot of older sisters, and I used to read their little books on what your body is and how it works. At that time, I hadn’t done much petting. I’d kissed but little fondling. I decided it was time. I knew it was going to happen but he didn’t know. I got dressed up for it, put on my hippy-dippy get-up. I suggested that we stop by a friend’s place, and I dragged him into another room and that was it. I was proud of myself. I was so in love and romantic. I felt wonderful. I talked to him on the phone the next day, and said how he was my boyfriend and asked him if he’d ever done it before. He said, ‘Yeah.’ I said, ‘What? How many times?’ He said ‘Twelve.’ I was heartbroken. He’d been with twelve other girls before me.”

Their relationship soon dissolved and Jane waited three months before having sex again. “I was in the school talent show. I’ve always danced. I started taking dancing lessons when I was seven. It was the time of hot pants, and I was running around in a pair. I thought I was hot stuff. This guy came up to me, a nice looking guy, and he tried to put the make on me. I couldn’t be bothered. I was snippy, very short with him. A few moments later, I found out that he happened to be the lead singer in the rock group that was playing around town. All of a sudden, it was, ‘Hi, how are you? Can I help you pack your instrument?’ He let me help him pack his instruments, and I went home with him. When I went to his house, he wouldn’t let me go. He dragged me into the bedroom. My panty hose got down to my knees and he gave it to me. It wasn’t anything I was into. It wasn’t fun for me, but he sure taught me a lesson. It taught me not to tease men if I didn’t mean it. Also, it taught me not to be such a shit towards people… Although it was a horrible experience, I bragged that I’d been with him because he was a minor rock star. I’d go up to him at a concert and say, ‘Hi Wayne, remember me? Remember me?’ And he’d say ‘Hi’ and walk away.”

Nevertheless she was extremely popular with the boys at school and soon became head cheerleader. She continued having sex on a regular basis throughout her teenage years. “It was a way of getting accepted. I knew I could make men feel good.”

After finishing high school Jane majored in theatre at the University of Nevada. One of her classmates happened to be the same Wayne she had previously had sex with as a sixteen year old. “We were both in theatre in college and we were both at the same level. It was important to me that I go back and fuck him because I was so bad the first time. And when I went back, I found out why it had hurt so much because he had a big dick. On our first time, I had no idea. I probably didn’t even touch it. I didn’t know what was going on.”

Jane graduated from college at age 19 in 1976 and began performed in A Thurber Carnival and The House of Bernard Alba at the Kennedy Centre festival. Soon after, however, she decided to move to England where she remained for three years working as a model. In 1979 her career was cut short as a result of an accident when she spilt hot coffee on herself. She spent two months in hospital and 25% of her body was left permanently scarred. “At one point in the hospital, I felt that I’d never be able to take off my clothes in front of a man. On the first night I spent with my English boyfriend after getting out of hospital, he turned off the lights. And I like to make love with the lights on. So that really hurt.”

Jane returned to the States and began living in New York where she became involved in mainstream acting again. “I had moved out to New York with a legitimate casting director. He was nasty. I got out of that. Two music deals fell through for me. I was forced into becoming a temporary secretary. It’s tough to live on a $100 a week anywhere and in New York it’s extremely tough.” Jane was becoming frustrated and disillusioned with the acting business. “I wasn’t really happy with the people I was meeting in the straight business. So I rented this room from this other gentleman [Roy Stewart], and unbeknownst to me, he used to get into films by bringing in girls. He used to meet girls and that’s how he’d secure himself a position on the films.”

She had been having a casual sexual relationship with Roy for some time and, although interested when he brought up the subject, still had reservations. “He saw my modeling pictures and my acting resume… so he said ‘you should be doing this’. I really hadn’t thought about it before, and the only thing I’d seen was when I was over in Australia – I’d seen a couple of loops and I thought nah, that’s not really what I want to do.” Nevertheless he persuaded her to at least check it out. “That was what they call the Golden Age of Pornography, when they were really starting to have stories and acting and production values. I saw it and thought, my God, this is perfect for me.”

According to Jane: “there wasn’t any big moral thing with me that I had to get over. So I tried it. I didn’t go in thinking I’d be a big porn star, but some people told me early on that I could be. Most of the people I became acquainted with who did legit films, the supposedly moral people of our world, I found to be the most degenerate. Porn has its share of good and bad, too, but compared to legit people, they’re more real and down to earth… The two things I have always been interested in is acting and making love. The X-rated business is a natural place for me.” As she later admitted: “I was an exhibitionist, period… I was raised to be a complete show-off.”

“The difference between the porn business and the straight business is that in porn you don’t have to fuck anybody to get a job. I pretty much fucked everybody in Hollywood, and it doesn’t get you anywhere… When I went into the porn business, I gave up my aspirations to be a straight actress. I realized that when I went into porn that this was not going to further my career. ‘Fuck the straight business,’ I thought. ‘I don’t need the hypocrisy.’ That was the lovely thing about being in the porn business. I didn’t have to fuck anybody or blow anybody to get a job.”

Jane, however, emphasises the difference between the porn industry of the late 1970’s and early 1980’s, and the one that exists today. “Porn was much more like movies. It’s like the stuff I do today, if I get five minutes of build-up its like fifteen minutes of sex. What we were doing back then was, fifteen minutes of build-up an five minutes of sex… They had plots and stories… It was more explicit sex [than today], but they were more like movies with sex in them, rather then sex films. I like them… What we’ve learned to do is, we’ve learned to shoot sex a lot better. …Let’s face it – we were a hairy bunch back then and they were more of the natural woman. I became famous as a porn star not because I was so gorgeous or I had the best body, but probably because people felt comfortable with me. I was kinda like the girl next door with that you could feel like you could talk to and maybe could get lucky with. Now our girls are much more beautiful, much more model-perfect.”

Nevertheless, she herself admits that there were other reasons behind her decision. “You don’t have to be a psychology expert to see why I got into porn. I’ve always liked sex but my life would probably have taken a different turn without that accident. People in pornography are usually rebels or are trying to make up for some kind of deficiency or defect. It could be in their character… or they could’ve been beaten or sexually abused in their childhood… or their nose is crooked or some other physical defect.” “People back then went into the business probably maybe to prove something or to be rebellious…now people go into it as a profession.”

Before making her first film though, Jane decided to do some live sex shows in front of theatre audiences and realised she enjoyed the attention. “Even after I’d made a couple of films, I went back to doing the live shows.” Although she began performing with Roy, “he never could perform [on camera] but he’d try again and again. We did a week of live sex shows. And I literally blew my brains out. That was tough to fake with no hard on. And he continued to try.” She eventually adopted the stage name Veronica Hart and finally appeared in her first hardcore porn film ‘Fascination’ (1980).

Although Veronica, as she was now known, had no problem having sex on stage in front of a live audience, or in front of the camera, her parents were not as understanding. “[Appearing in porn movies] wasn’t that big of deal. It was a big deal that I called my parents and told them. I just left a message for my mom with my dad… ‘Hey, is mom there,’ and he said, ‘No, she is at the store.’ I said, ‘Give her a message – I’m going to do an adult film tomorrow.’ He starting laughing, he thought it was really funny. I told him I was serious and he said, ‘Well I’ll be sure to tell mother.’ [My parents weren’t] conservative, but they weren’t liberal – just regular parents. I’d been acting and I’d been doing stuff and they knew I was going to do something, but I don’t think that they thought it would be that. They expected it to do with acting or something because that is what I always studied, something to do with performing… I have always been really sexual – it wasn’t like I got into the movies to discover my sexuality. I was already sexually active and I wasn’t a kid.” Although her parents, never fully accepted her career in porn, they never alienated her either. It was enough that she was happy. They just didn’t want to see her movies.

Following ‘Fascination’, she made a few films with Lenny Kurtmann, who used the name Leon Gucci. According to Veronica he “had a reputation for fucking all his actresses, which he did with me. I was having sex with a guy who was predominantly gay – Zebedy Colt. So I would get the guy hard, and he’d shoot soft footage, then I’d have to get the guy up again. It was getting on, it was a long scene – I can’t remember if we’d been at it for an hour, an hour and a half, whatever – and he takes me over to the side and said ‘gee, aren’t you tired?’ I didn’t know what to say, so I said ‘well, er, gosh… I don’t know… er… yeah!’ He said ‘wouldn’t you like this to be over?’ and I said ‘sure I guess’… I hadn’t got a fucking clue what I should be doing, or what was right or what wasn’t right. So we went back in, and the director pulled down his pants, bent me over, penetrated my vagina, pumped twice and came all over me. I didn’t know much about the adult business at the time but I knew that wasn’t right. Actors are paid to perform and directors don’t stand in for cum shots. He got to fuck all his actresses that way… I knew the big difference between a director and an actor. Actors are hired to fuck. Not directors. It wasn’t professional. It was the only time I felt like shit in porn.” Veronica later recalled “Thank goodness, Seka was on the set, and she told me, ‘honey, you don’t have to do anything that you don’t want to do – they’re lucky to have you here.’ That’s a very important thing.”

Veronica soon became one of the main stars of the early 1980’s porn industry. Not only did she enjoy having sex in front of the camera, but she was also a good actress and easy to get along with. In his autobiography Jerry Butler recalled: “I found her to be extremely easy to work with. Polite, accommodating, and professional, Veronica’s attitude seemed to be, ‘Let’s get the job done… and done well.’… Being inside her was wonderful, because she truly enjoyed sex and she encouraged my sensitivity. She was one woman who never faked it. On the outside, Veronica might look angelic and innocent, but I’ve seen her get so absorbed in a scene that she pleaded with the guy to come in her mouth or all over her face.”

She credits this ability to enjoy sex in front of the camera as one of the main ingredients of her becoming a star in the business. “Film is the illusion of truth. What might look good on film is not necessarily what feels good. Still, I believe that the hotter you are, the hotter it’s going to come across to the audience. A lot of girls in this business aren’t into sex, or they aren’t into making it with another girl. They play at it, and their coldness comes across on film. The more you can psych yourself up to be hot, the hotter it will appear on film.” Furthermore, Veronica admits that she was naturally bisexual. “I love the warmth and tenderness that you get through ladies, but you can have that with a man, too. I love pussy and I love cock.” One of her favourite parts of the business though, was “popping guys cinematic cherries. I’ve enjoyed being able to get them relaxed enough and to take them to some place and help them to perform.”

Veronica stopped acting in porn films during 1984. “I stopped doing it when it became not fun. I only wanted to do it when it was fun and I was having fun at it. …I said would get out [when it was no longer fun] and I did.” There were, however, other reasons for her retirement. “I fell in love, basically. I had to stop performing sex. If anybody noticed me, my fans or something, it wasn’t because I was the most beautiful or the most this or that, they could tell that I really enjoyed myself. They could tell that I had heart – not to make a pun. I couldn’t have sex and not enjoy it. When it stopped being enjoyable for me, I had to stop. When I fell in love, I didn’t want to be with anybody else… It was just terribly romantic for me at that time. I’m still married to my husband. We’ve been separated for probably about three years. We have two amazing children. We stopped living together but we’re best friends.”

Veronica admits, “When I went into the adult business I basically kissed my straight career goodbye.” Following her retirement “I did try and distance myself from the adult business, even though I made lots and lots of those films, I made most of my money through stripping. I stripped for years… For a long time, I did that whole thing of ‘well, if people know I’m Veronica Hart then I’ll never get any work’, but that’s bullshit. All the work I got was from people knowing that I was Veronica.” She soon switched from working in front of the camera, to working behind it. “I started directing in this business for ‘The Electric Blue Show’ that was on Playboy Channel. I think that was in 1984, for a while. I production managed some things. I did only one hardcore piece that I directed back then. The other stuff for Playboy was soft-core, nudity, but no hardcore. I did one piece for Candida Royalle called ‘The Pickup’ on the video called ‘A Taste Of Ambrosia.’ Now I’ve been back in hardcore, probably for the past four to five years. I never thought I would be here again. I thought that I had left it in the 1980’s”

Since her return to hardcore porn films, Veronica Hart, under her real name of Jane Hamilton, has directed comeback movies for both Marilyn Chambers and Ginger Lynn. Her work with Ginger in ‘White Lightening’ was among her best efforts to date. “I’m very in your face, very explicit. I’m not pussyfooting… My hardcore sex is very hardcore. I don’t ask my performers to do anything that I wouldn’t want to do or haven’t already done. I like anal sex. That is a personal favourite of mine. I never had a DP, but I’m hoping to arrange it one day.”

Apart from her work as a director, Veronica has also appeared in a number of mainstream stage shows and films, as well as over 30 R-rated movies. One of her most visible roles was that of the judge in Paul Thomas Anderson’s 1997 homage to 1970’s porn, ‘Boogie Nights’. “I was prepared to have a really brutal picture painted of all of us, but he put the humanity into who we were and what we were trying to do. As cute and pathetic as we were, we really meant it. In the larger scheme of things, [our pretensions] were pretty funny. When I first read the script, I thought, `This is terrible. All they’re doing is drugs.’ Then when I thought about it, all we did was drugs.”

Unlike other former porn stars, Veronica Hart has never turned against the adult industry. “I went on TV with Samantha Fox and she’s telling me about how much pain she was in and how horrible it was for her, and I just wanted to say ‘darling, when I was going down on you and eating your pussy, you didn’t seem to be in too much pain’, but I didn’t want to take it down to that level.” According to Veronica porn has “always been a case of mutual exploitation. “Sure I was exploited and I exploited them for cash… back then it was just all cash. I suppose when I first came in, like anybody who is green in any business, you make mistakes and people take advantage of you, but what business do they not do that in? This is one of the few businesses where it’s better to be a woman as far as the payment goes. People have asked me what kind of influence do women have on this business? Minimal. It’s funny because without the women it wouldn’t be there… There have always been women involved…. I want to tell you it’s not a gender-based thing. Just because a woman is a woman doesn’t mean she’s not gonna be misogynistic towards women. I know some women who really mistreated their talent.”

“Let’s face it, there are victims in all walks of life. There are women who are abused in all walks of life. If a person chooses to be a victim and chooses to be abused, they could end up in this business. Absolutely. They could end up in any business. They could end up an abused housewife or an abused secretary. It’s secondary to the business. This business is huge. This business has everything in it. Anything that you want to find, these days, is here. You’re going to find very spiritual, enlightened people, you’re going to find very great people to hang out with, and you’re going to find scum.” “I’m a Christian, and actually a pretty religious person, and I’m not going saying it was horrible and I’m glad I’m out of it. Most of my friends are in this business, and they’re pretty much good people and down to earth… I’m very lucky. The people that I deal with are wonderful wonderful wonderful people. I’m not gonna turn round and say ‘oh, what a mistake.’ Gimme a break. I like sex too much. I think it’s a good thing.


8 to 4 Caballero Home Video 1981
Adult Video News Awards 1997 VCA 1997
Afternoon Delights Caballero Home Video 1980
Alexandra VCA 1983
Amanda by Night 1 Caballero Home Video 1981
Amanda By Night 2 Caballero Home Video 1987
Amazing Sex Stories 2 Superstar Video 1987
American Desire Caballero Home Video 1981
American Garter VCA 1993
Ancient Secrets of the Kama Sutra Vivid 1996
Angel Buns Video-X-Pix 1981
Appassionata Adam & Eve 1997
Babe Arrow Productions 1981
Babes in Black Red Light District 2005
Babylon Gold Command Video 1983
Backdoor Bonanza 3 Wet Video 1987
Be Careful What You Wish For Visual Images 1994
Beauty VCA 1982
Beauty Captured VCA 1998
Behind the Scenes of an Adult Movie Metro 1984
Being With Juli Ashton VCA 2000
Bella Loves Jenna Vivid 2003
Between the Sheets Caballero Home Video 1981
Black Orchid Western Visuals 1993
Blonde Fury New Era 2001
Blowing Your Mind Unknown 1984
Blue Magic Video-X-Pix 1981
Blue Ribbon Blue Caballero Home Video 1984
Bordello Essex Video / Electric Hollywood 1985
Cafe Flesh 2 VCA 1997
Can You Be A Pornstar? 3 & 4 Hustler Video 2004
Center Spread Girls Caballero Home Video 1982
Confessions of Seka Select-a-tape 1980
Crime and Passion VCA 2002
Crossroads Wicked Pictures 1999
Delicious Video-X-Pix 1981
Delilah Wicked Pictures 2007
Dixie Ray Hollywood Star Caballero Home Video 1983
Dream Catcher VCA 1998
Dream Quest Wicked Pictures 2000
Ecstasy Girls 2 Caballero Home Video 1985
Edge Play VCA 2001
Eighth Erotic Film Festifal Unknown 1984
Essentially Juli Wicked Pictures 1997
Eternity Wicked Pictures 2005
Exile Wicked Pictures 1998
Fascination Video-X-Pix 1980
Final Taboo Caballero Home Video 1988
Firestorm Command Video 1984
Flashpoint Wicked Pictures 1998
Fluffy Cumsalot, Porn Star United Nathan 2002
Foxtrot Command Video 1982
Games Women Play Caballero Home Video 1980
Girl’s Best Friend Video-X-Pix 1981
Girls Who Dig Girls 7 Wet Video 1989
Good Vibrations 1 Video Team 1991
Good Vibrations 2 Video Team 1991
Hard Driven VCA 1998
Heaven’s Touch Caballero Home Video 1983
In Love VCA 1983
Indecent Exposure Caballero Home Video 1981
It’s Called Murder Baby Lima Productions 1982
Just One More Time VCA 1998
Kayden’s Frisky Business Adam & Eve 2009
LA Fashion Girls VCA 1998
Latex VCA 1995
Legends Of Porn 1 Metro 1987
Liquid Assets Caballero Home Video 1982
Little Girls Lost VCA 1982
Little Red Riding Hood Metro 1995
Love And Bullets VCA 2003
Lysa Thatcher: the Teenage Years Gourmet Video Collection 2007
Magnum Love VCA 1999
Makin’ It Wicked Pictures 2002
Midnight Blue 2 Unknown 1980
My Girlfriends Mother Mile High 2010
My Mother’s Best Friend 3 Mile High 2010
My Surrender Femme Productions 1996
Naked Scents VCA 1985
Nasty Girls Wide Open Adam & Eve 2006
Neon Nights Command Video 1981
Neu Wave Hookers VCA 2006
No Man’s Land 10 Video Team 1994
Nylon Vivid 1995
Ona Zee’s Sex Academy 1 Ona Zee Presents 1993
Once Upon a Secretary Gourmet Video Collection 1983
Only The Very Best On Film VCA 1993
Oriental Babysitters Penthouse 2009
Outlaw Ladies 1 VCA 1981
Pajama Party X 1 VCA 1994
Pandora’s Mirror Caballero Home Video 1981
Playgirl Essex Video / Electric Hollywood 1982
Porn Star of the Year Contest Gourmet Video Collection 1984
Princess Seka VCA 1980
Private Schoolgirls Caballero Home Video 1983
Pushover Wicked Pictures 1999
Puss ‘n Boots Video-X-Pix 1982
Real TIckeTS 1 VCA 1993
Real TIckeTS 2 VCA 1995
Risque Burlesque 2 Metro 1996
Roommates Video-X-Pix 1981
Satisfaction Jackson Caballero Home Video 1988
Scent of Heather Video-X-Pix 1980
Scotty’s X-rated Adventure Wicked Pictures 1996
Screen Play Wicked Pictures 1998
Secrets Of Seka Black Triangle Video 1980
Seduction of Cindy VCA 1980
Sensual Escape Adam & Eve 1988
Sex 1 VCA 1994
Sex Pix Red Light District 2005
Shayla’s Web VCA 2000
Silk Satin Sex Essex Video / Electric Hollywood 1983
Society Affairs Caballero Home Video 1982
Star Cuts 33: Kari Foxx Filmco Releasing 1986
Starmaker VCA 1982
Stephanie’s Lust Story VCA 1982
Still Insatiable VCA 1998
Strokin’ to the Oldies: Seka VCA 2004
Sugar Town Vivid Alt 2008
Super Seka Unknown 1985
Tailgunners Adam & Eve 2006
Tale of Tiffany Lust TVX 1981
Tara Tara Tara Tara VCA 1981
This Ain’t Hell’s Kitchen XXX Hustler Video 2009
Three Brothers New Age Pictures 1998
Timeless VCA 1997
Torn VCA 1999
Touch Me in the Morning Caballero Home Video 1981
Twilite Pink Arrow Productions 1981
Two Hearts Vivid 1992
Ultimate Fantasy Metro 1996
Urban Cowgirls Caballero Home Video 1980
Voyeur’s Delight Essex Video / Electric Hollywood 1986
Wanda Whips Wall Street Video-X-Pix 1981
Watch Me Penthouse 2008
Wet Dreams Reel Fantasies Coast To Coast 1997
Wicked Temptress Wicked Pictures 1999
Wild Flower Adam & Eve 1999
Woman in Love Caballero Home Video 1978
As Director
Movie Title Distributor Rev
Adam & Eve’s House Party 1 VCA
Adam & Eve’s House Party 3 VCA 1
Adam & Eve’s On Line Party VCA
Barbara Broadcast Too VCA 2
Being With Juli Ashton VCA 8
Booby Trap VCA 1
Chasing Destiny VCA 4
Crime and Passion VCA
Dangerous Games VCA 3
Dark Chambers VCA 7
Deep Inside Ashlyn Gere VCA 3
Deep Inside Felecia VCA 2
Deep Inside Missy VCA 1
Deep Inside Nikki Sinn VCA 1
Deep Inside Nina Hartley 2 VCA
Deep Inside Shayla LaVeaux VCA 1
Edge Play VCA 5
Fountain of Innocence VCA 2
L.A. Lust VCA 5
Lady Luck VCA 2
Lost Hienie VCA 3
Love And Bullets VCA 4
Love’s Passion VCA 5
Lucky Stiff Penthouse 2
Misty Beethoven: The Musical VCA 6
Older Women Hotter Sex VCA 2
Rear View Mirror VCA 1
Right Connection VCA
Shayla’s Swim Party VCA
Sinful Rella VCA 1
Still Insatiable VCA 10
Sunset Stripped VCA 3
Taken VCA 7
Taste Of Ambrosia Femme Productions 3
Telephone Expose VCA
To Protect And Service VCA
Torn VCA 8
Truckstop Trixie VCA 1
Twisted Tails Penthouse 2
Undercover Desires VCA 1
White Lightning VCA 7
Wrong Snatch VCA 4



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